Disciplines
Other Natural Sciences (2%); History, Archaeology (93%); Philosophy, Ethics, Religion (5%)
Keywords
Ephesus,
Sacred Landscapes,
Ancient Cult Practice,
Classical-Hellenistic Sculpture,
Epigraphy,
Archaeozoology
Abstract
The rock sanctuary at Panayirdag in Ephesos is one of the largest of its kind in the East Aegean-West
Anatolian interface. It is characterised by niches for dedicatory reliefs carved into the natural rock
surfaces. This extensive sacred landscape unites several cult sites for the Theoi Patrooi, the "deities
inherited from the fathers". In Ephesus these included Zeus, Apollo and above all the mother
goddess Meter, to whom most of the inscriptions and all of the surviving votive reliefs and terracotta
figurines are dedicated. The rock sanctuary flourished in the late 4th and 3rd centuries BC.
This volume presents not only the results and finds of the 1926 and 2009 excavations, but also all the
objects that can be indirectly linked to the rock sanctuary. The 91 marble dedicatory reliefs of the
type Ephesus represent the largest known corpus of sculptures of Meter from a single production
site. The analysis of the dedicatory inscriptions provides insights into the cult community of the
mother goddess.
In 2009, in niche area VII, an undisturbed in situ deposit was uncovered, which is rare in rock
sanctuaries. It dates from the decades prior to the abandonment and ritual burial of the site in the
mid 3rd century BC. The closed context includes dedicatory reliefs, terracotta figurines, pottery, a
small hoard of coins and animal bones. The analysis of the assemblage allows conclusions to be
drawn about the cult of Meter. For the dedicatory reliefs, this context provides an important new
point of reference for dating. It shows that different stylistic variants and levels of quality, which have
often been interpreted chronologically, existed in parallel.